Behringer S32 Stage Rack
The S32 provides 32 MIDAS-designed remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end. With this core, you are able to run a single CAT5e cable up to 100m. The Behringer S32 Stage Rack takes the burden out of connecting your FOH (Front of House) console with the talent monitor. It provides 32 fully programmable, remotely controllable high-end mic preamps, 16 analogs, balanced XLR returns at the stage end, and connects to the FOH through a single CAT5 cable without the need for a dedicated router. This I/O box is designed with multiple scenarios in mind; it works equally well as a stand-alone pair for use with analog mixing consoles or as part of the trio of a digital mixing solution along with the X32 digital mixer and P16 personal monitoring system. It is a 32-in and 16-out stage box that features AES50 networking with the Klark Teknik SuperMAC technology.
The 32 Midas-designed XLR inputs are fully programmable and remote controllable from the X32 digital mixer. The 16 balanced XLR outputs provide ample sends to the stage for mains and monitoring. The front panel offers indicators for phantom power and AES50 sync. Additionally, a Mute-All-Inputs button quietens all inputs when connecting an input cable. The dual AES50 jacks allow transmission of all audio and MIDI data to the X32 FOH with a single Ethernet cable and also allow up to two S32s to be cascaded for maximum channel count.
In this scenario, 64 bi-directional audio channels at 24-bit / 48 kHz can be transferred on just one CAT5 line between the FOH console and the stage, including 48 analog inputs from stage, 32 analog outputs on stage, as well as the 16 Ultranet channels, MIDI data, and head amp remote control. An additional Ultranet output provides 16 channels for use with the P16 Personal Monitoring System through the Ethernet cable, allowing each musician to dial in his or her own custom mix from the stage. A pair of ADAT ports can carry additional sends to the stage beyond the 16 analog outputs, or split the 16 inputs. Lastly, a USB jack allows for future firmware updates.
Specifications
16 analog, servo-balanced XLR outputs
32 Midas-designed, fully programmable mic preamps for audiophile sound quality
ULTRANET connectivity for Behringer’s P16 personal monitoring system for in-ear applications
AES50 network ports featuring Klark Teknik’s SuperMAC networking capability for ultra-low jitter and latency
Digital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability
The S32 provides 32 MIDAS-designed remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end. With this core, you are able to run a single CAT5e cable up to 100m. The Behringer S32 Stage Rack takes the burden out of connecting your FOH (Front of House) console with the talent monitor. It provides 32 fully programmable, remotely controllable high-end mic preamps, 16 analogs, balanced XLR returns at the stage end, and connects to the FOH through a single CAT5 cable without the need for a dedicated router. This I/O box is designed with multiple scenarios in mind; it works equally well as a stand-alone pair for use with analog mixing consoles or as part of the trio of a digital mixing solution along with the X32 digital mixer and P16 personal monitoring system. It is a 32-in and 16-out stage box that features AES50 networking with the Klark Teknik SuperMAC technology.
The 32 Midas-designed XLR inputs are fully programmable and remote controllable from the X32 digital mixer. The 16 balanced XLR outputs provide ample sends to the stage for mains and monitoring. The front panel offers indicators for phantom power and AES50 sync. Additionally, a Mute-All-Inputs button quietens all inputs when connecting an input cable. The dual AES50 jacks allow transmission of all audio and MIDI data to the X32 FOH with a single Ethernet cable and also allow up to two S32s to be cascaded for maximum channel count.
In this scenario, 64 bi-directional audio channels at 24-bit / 48 kHz can be transferred on just one CAT5 line between the FOH console and the stage, including 48 analog inputs from stage, 32 analog outputs on stage, as well as the 16 Ultranet channels, MIDI data, and head amp remote control. An additional Ultranet output provides 16 channels for use with the P16 Personal Monitoring System through the Ethernet cable, allowing each musician to dial in his or her own custom mix from the stage. A pair of ADAT ports can carry additional sends to the stage beyond the 16 analog outputs, or split the 16 inputs. Lastly, a USB jack allows for future firmware updates.
Specifications
16 analog, servo-balanced XLR outputs
32 Midas-designed, fully programmable mic preamps for audiophile sound quality
ULTRANET connectivity for Behringer’s P16 personal monitoring system for in-ear applications
AES50 network ports featuring Klark Teknik’s SuperMAC networking capability for ultra-low jitter and latency
Digital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability
The S32 provides 32 MIDAS-designed remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end. With this core, you are able to run a single CAT5e cable up to 100m. The Behringer S32 Stage Rack takes the burden out of connecting your FOH (Front of House) console with the talent monitor. It provides 32 fully programmable, remotely controllable high-end mic preamps, 16 analogs, balanced XLR returns at the stage end, and connects to the FOH through a single CAT5 cable without the need for a dedicated router. This I/O box is designed with multiple scenarios in mind; it works equally well as a stand-alone pair for use with analog mixing consoles or as part of the trio of a digital mixing solution along with the X32 digital mixer and P16 personal monitoring system. It is a 32-in and 16-out stage box that features AES50 networking with the Klark Teknik SuperMAC technology.
The 32 Midas-designed XLR inputs are fully programmable and remote controllable from the X32 digital mixer. The 16 balanced XLR outputs provide ample sends to the stage for mains and monitoring. The front panel offers indicators for phantom power and AES50 sync. Additionally, a Mute-All-Inputs button quietens all inputs when connecting an input cable. The dual AES50 jacks allow transmission of all audio and MIDI data to the X32 FOH with a single Ethernet cable and also allow up to two S32s to be cascaded for maximum channel count.
In this scenario, 64 bi-directional audio channels at 24-bit / 48 kHz can be transferred on just one CAT5 line between the FOH console and the stage, including 48 analog inputs from stage, 32 analog outputs on stage, as well as the 16 Ultranet channels, MIDI data, and head amp remote control. An additional Ultranet output provides 16 channels for use with the P16 Personal Monitoring System through the Ethernet cable, allowing each musician to dial in his or her own custom mix from the stage. A pair of ADAT ports can carry additional sends to the stage beyond the 16 analog outputs, or split the 16 inputs. Lastly, a USB jack allows for future firmware updates.
Specifications
16 analog, servo-balanced XLR outputs
32 Midas-designed, fully programmable mic preamps for audiophile sound quality
ULTRANET connectivity for Behringer’s P16 personal monitoring system for in-ear applications
AES50 network ports featuring Klark Teknik’s SuperMAC networking capability for ultra-low jitter and latency
Digital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability